Abstract
A l’heure ou la comedie romantique hollywoodienne est dite en crise, l’ouvrage de Mary Harrod se penche sur le phenomene inverse outre-Atlantique : le veritable essor de ce genre cinematographique en France depuis les annees 1990 et 2000. L’ouvrage est sorti en 2015 et est adapte de la these doctorale de l’auteure. Sa question principale est la suivante : comment expliquer la proliferation et le succes « spectaculaire » (p. 2) de la comedie romantique francaise ces deux dernieres decennies ? ...
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