“Marvel vs. World”

Abstract

Abstract Following Eric Hayot’s argument that modernity is a theory of the world as the “universal,” this paper traces the “world concept” in Marvel Comics industry (MC) and its synergy with the film industry of the Marvel Cinematic Universe (MCU). Speaking from the field of World Literature Studies, I show how superhero comics activate the “world concept” through the global dissemination of the infinitely stretchable Marvel Universe. My argument is that by operating in terms of a universe with moldable diegetic rules, the popular culture of MC and MCU does not merely reflect the current state of the world concept, but also affects its evolution and its spread. The universality of the modern worldview has come to be less concerned with the realist effect and more with increasing all-inclusiveness and infinite stretchability. The increased plasticity of the world concept puts a great pressure on world literary ecologies and increasingly expands and shapes what Beecroft called global literary ecology. What Marvel Comics has done in recent decades, especially through the interplay with the film industry, is to show how the expansion of the world concept entails that however large we imagine the world to be, it is always already too small.