Abstract
ABSTRACTThis essay examines the representation of the city of Rome in Martial's Epigrams, and specifically, his references to urban topography. The city is an insistent and vivid presence in Martial's Epigrams to a degree unparalleled in Roman poetry. He fashions a Rome that is more relentlessly sordid, irregular and jagged in texture, and overtly dissonant in its juxtapositions than the literary cities of his poetic predecessors. This new urban emphasis is not only a game of literary one-upmanship. Martial's urban poetics takes shape in the context of renewed attention to the city and monumental building under the Flavians.
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