Abstract

This article discusses the challenges which the institution of marriage faces within the African indigenous societies. Marriage is understood to be one of the most vital mechanisms in maintaining the consistency of all societies on earth. Scholars, such as John Mbiti, understand marriage to be a drama in which everyone becomes an actor or actress and not just a spectator. While this sounds truly ideal, the reality is that most Africans understand marriage to be an institution primarily knotted within African cultural norms and traditions with disparity roles between the couple. The article argues that such an imbalance unleashes toxic masculinity and manhood ideologies which are chiefly designed to deny women the rights to be fully actresses in the theatre of marriage. It also argues for the need of liberative frameworks within which to challenge the dominative traditional and cultural dogmas which are creating disparities between men and women in marriage. Musimbi Kanyoro’s cultural hermeneutics model is employed to suggest a way forward to create an equal partnership between men and women in marriage.

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