Abstract
The article looks at the unique position of Mark Tully in talking about India and the role of travel in developing his oeuvre of writing. The article contextualizes Tully's “English” identity and problematizes the colonial spaces that dislodge the concept of a national identity based on boundaries. It also relates the traveler's sense of engagement at a deeper level due to his participation in India's national life at various levels, analyzing his two residences and his awareness of two different audiences. It posits that a look at the culture of the Other makes the writer self-aware of his own upbringing, religious beliefs, and social understanding. It also positions the traveler as an interpreter of cultures—the others and his own—tracing the development of his perspective from his No Full Stops in India (1991) to India: The Road Ahead (2011).
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