Abstract
Most, if not all students and scholars of popular music are also fans. For Cornel Sandvoss (2005), the term “fandom” stands for “the regular, emotionally involved consumption of a given popular narrative or text in the form of books, television shows, films or music, as well as popular texts in a broader sense such as sports teams and popular icons and stars ranging from athletes and musicians to actors.” Throughout this wide-ranging special edition of Popular Music and Society, this definiti...
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