Abstract
On the 13 May 2018, under the beautiful, celestial, fresco ceiling of the city's opera house, the highly acclaimed Oper Stuttgart produced a captivating revival of composer Mark Andre's Wunderzaichen (2008–2014; Wunder, ‘miracle’, and Zaichen, old German for ‘sign’). The protagonist, ‘Johannes’, is a ‘speech role’, and André Jung met the challenge with a modest, yet rigorous, intellect. Julia Bauer, as ‘Maria’, displayed a sensitive and virtuosic vocal ability. The orchestra, under the baton of Sylvain Cambreling, mastered the majestically complex signatures of Andre's soundworld with commendable accuracy and a fluid simplicity.
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