Year-end Sale % OFF 
Abstract
La misoginia que caracterizó la España del primer tercio del siglo XX y las graves dificultades que las artistas debieron sortear durante esos años definen el contexto en el que se inserta nuestra investigación, cuyo objetivo esencial es analizar la trayectoria artística de Marisa Rosset y Velasco desde que en 1924 se dio a conocer en la Exposición Nacional hasta 1939, fecha en la que concluyó la guerra civil y acabó la etapa esencial de su producción. Durante este período la artista no solo practicó una moderna figuración sino que alcanzó un elevado grado de profesionalización, hechos estos que hicieron de ella una de las pintoras de mayor calidad y más avanzadas de su época y sobre los que este trabajo centra la atención con el propósito de paliar una inmerecida laguna historiográfica.
Highlights
ON THE FRONTIER: MARISA ROËSSET (1924-1939) The misogyny that characterized Spain in the first third of the 20th century and the serious difficulties that artists had to overcome during those years are the two main features that define the context of this paper
Its main objective is to analyze the artistic trajectory of Marisa Roësset and Velasco from 1924 when she made herself known in the National Exhibition through 1939, when the Spanish Civil War ended and the essential phase of her artistic production came to its conclusion
During this period the artist practiced a modern figuration but achieved a high degree of professionalization, two facts that made her one of the highest quality and most advanced female painters of her time, and on which this paper focuses attention with the purpose of filling an undeserved historiographical gap
Summary
ON THE FRONTIER: MARISA ROËSSET (1924-1939) The misogyny that characterized Spain in the first third of the 20th century and the serious difficulties that artists had to overcome during those years are the two main features that define the context of this paper. Marisa Roësset demostraba que su vocación no era una afición y logró escalar el siguiente peldaño en esa suerte de cursus honorum que todo artista debía cumplir: celebrar una exposición monográfica, un sueño difícil de conseguir para cualquier creador y mucho más si se trataba de una mujer; de hecho por aquellas fechas fueron muy pocas quienes consiguieron semejante proe-
Sign-in/Register to view highlights & summary Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
