Abstract

Baleen whales reliably produce stereotyped vocalizations, enabling their spatio-temporal distributions to be inferred from acoustic detections. Soundscape analysis provides an integrated approach whereby vocal species, such as baleen whales, are sampled holistically with other acoustic contributors to their environment. Acoustic elements that occur concurrently in space, time and/or frequency can indicate overlaps between free-ranging species and potential stressors. Such information can inform risk assessment framework models. Here, we demonstrate the utility of soundscape monitoring in central New Zealand, an area of high cetacean diversity where potential threats are poorly understood. Pygmy blue whale calls were abundant in the South Taranaki Bight (STB) throughout recording periods and were also detected near Kaikōura during autumn. Humpback, Antarctic blue and Antarctic minke whales were detected in winter and spring, during migration. Wind, rain, tidal and wave activity increased ambient sound levels in both deep- and shallow-water environments across a broad range of frequencies, including those used by baleen whales, and sound from shipping, seismic surveys and earthquakes overlapped in time, space and frequency with whale calls. The results highlight the feasibility of soundscape analysis to quantify and understand potential stressors to free-ranging species, which is essential for conservation and management decisions.

Highlights

  • IntroductionSoundscapes, consist of cumulative contributions from biological (biophonic), abiotic (geophonic) and man-made (anthrophonic) sound sources [1]

  • Ambient acoustic environments, or soundscapes, consist of cumulative contributions from biological, abiotic and man-made sound sources [1]

  • Dips in Power spectral density (PSD) at 1500 and 2000 Hz occurred consistently during both deployments at Wairarapa and Kaikōura. This was an artefact resulting from destructive interference due to the separation distance between the AMAR hydrophone and the spherical glass floats deployed at these deep-water locations and was not a true feature of the soundscape

Read more

Summary

Introduction

Soundscapes, consist of cumulative contributions from biological (biophonic), abiotic (geophonic) and man-made (anthrophonic) sound sources [1]. Underwater sound can be a stressor for marine mammals; acoustic signals that are perceived as threatening can generate acute physical and behavioural responses, as well as chronic effects, including stress and displacement [15,16,17]. The range over which baleen whale calls are detectable has been shown to decrease when other sound sources occur in the same frequency bands [17,18,19,20,21,22,23,24]. Soundscape analysis permits an integrated approach to study freeranging vocal species while concurrently collecting information regarding some potential stressors, which can be used to inform risk assessment frameworks [15,25,26]. If vital rates of individual animals are affected by stressors, population-level consequences can occur [17,26,27,28]

Objectives
Methods
Results
Discussion
Conclusion
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call