Abstract
In the wake of the narrative turn in social sciences, Marina Lambrou’s publication explores the dark continent of narratology: disnarration. As she analyses the stylistics of the unmentioned in various storytelling forms – from newspaper articles to Victorian novels and contemporary films – the Kingston University professor seems to agree with semiologist Roland Barthes’ now-famous statement: “The narratives of the world are numberless. Narrative is first and foremost a prodigious variety of ...
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