Abstract

The boom of the tango record industry in Argentina during the 1920s has not been the subject of a systematic study until now. Marina Canardo’s book Fabricas de Musicas: comienzos de la industria discografica en la Argentina (1919-1930) is a necessary and original contribution to this topic. The book is structured in nine chapters. As the author clarifies, all the chapters with the exception of the first and the last, begin with a question that is immediately answered by a phrase taken from r...

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