Abstract
The notion of style has long been recognised as both a key point of interest and a major source of dispute among specialists of aesthetics. In a growing body of literature, many have discussed its elusive semantic contours, failing to reach any consensus. Marielle Mace’s pioneering essay both acknowledges and eschews the long-standing definitional debate, setting out instead to make sense of the very conflicts that surface whenever the notion of style is called forth. A mere look at the table...
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