Abstract

This article examines mariachi as a central mimetic myth in the construction of a unified national imagery in Mexico, in large part due to its embodiment of mestizaje: the racial and cultural mixing of Spanish and Indigenous cultures and people. Mariachi is a national myth that copies and borrows from other national myths, thus articulating multiple symbols and meanings simultaneously. In particular, mariachi performs its authenticity through the blood, sweat and tears of its performers and its performances. However, the relationship between mariachi and the idealised male mestizo is continually interrupted and unsettled by claims and counter-claims to the origins of mariachi by different segments of Mexican society, and by jokes and parodies of mariachi as stereotypes of Mexican masculinity, ethnicity and class.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.