Abstract
The English royal household ordinances document the important role tapestries played in Tudor court ceremony. This paper re-examines one specific aspect of the 1493 ordinances: whether or not Margaret Beaufort, mother of Henry VII, dictated the textile practices surrounding royal childbirth. Once widely believed to have done so, scholars have abandoned the idea for lack of evidence. The issue is more complicated than it seems, in part because of longstanding bibliographic error and also because texts associated with two events involving Margaret — the birth of Princess Margaret and the publication of William Caxton’s Blanchardyn and Eglantine — suggest that she was highly attuned to the importance of royal spectacle as mandated by the household ordinances.
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