Abstract
' the date of the see Oliver Strunk, On the Date of Marchetto da Padova, in his Essays on Music in the Western World (New York, 1974), PP39-43 (originally published as Intorno a Marchetto da Padova, Rassegna musicale, XX [1950], 312-15); Nino Pirrotta, Marchettus de Padua and the Italian Ars Nova, Musica disciplina, IX (0955), 57-71; Jan W. Herlinger, The Lucidarium of Marchetto of Padua: A Critical Edition, Translation, and Commentary (Ph.D. diss., Univ. of Chicago, 1978), pp. 2-15-. 2 Lucidarium 2. 6 and 2. 8; see Martin Gerbert, ed., Scriptores ecclesiastici de musica sacrapotissimum, 3 vols. (St. Blaise, 1784; rep. Milan, 1931), III, 73b, 74b, 75a. This collection is cited henceforth as GS. Gerbert gives the tenor of the last example a third too low; it is emended here through reference to the manuscripts. See Herlinger, Lucidarium, pp. 265-66. 3 See, for instance, Francois Joseph Fetis, Biographie universelle des musiciens et bibliographie ginirale de la musique, 2nd ed., 8 vols. (Paris, i86o-65), V, 449: Les successions harmoniques presenties dans ces exemples sont des hardiesses prodi-
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