Abstract
This article examines two fictional works, Par le feu by Tahar Ben Jelloun and À peine j'ouvre les yeux by Leyla Bouzid, made after the Tunisian uprisings. Both works offer a parallel exploration of pre-revolutionary Tunisia through the ordeal of Mohammed Bouazizi, whose self-immolation started the Arab Spring, and the coming-of-age story of a young woman. I argue that both authors are social commentators engaged in the democratic process they are witnessing, devising narrative strategies similar to those used in neorealism or coming-of-age stories to remain true to the spirit of the time while probing the future of Tunisian society.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
