Abstract

Click to increase image sizeClick to decrease image size ACKNOWLEDGEMENT 1 Research for this article has been undertaken as part of the project ‘Mapping Performance Culture: Nottingham 1857–1867’, funded by the Arts and Humanities Research Council (AHRC) and undertaken at the University of Nottingham in collaboration with Dr Gary Priestnall from the School of Geography as co-investigator. Other members of the project team were Dr Lucie Sutherland (English), Dr Robin Burgess (Geography) and Dr Richard Tyler-Jones (Information Services), and we have been aided considerably by Nottingham City Libraries and Museums and the Nottinghamshire County Archive. My thanks to them and to Julie Sanders, James Moran and Steve Daniels for comments on earlier drafts of this article. Each year the AHRC provides funding from the Government to support research and postgraduate study in the arts and humanities, from archaeology and English literature to design and dance. Only applications of the highest quality and excellence are funded and the range of research supported by this investment of public funds not only provides social and cultural benefits but also contributes to the economic success of the UK. For further information on the AHRC, please see www.ahrc.ac.uk.

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