Abstract

This paper claims that maps and the “act of mapping” have the capacity to disrupt symbolic horizons concerning representations of space constructing aesthetic, political and subjective worldviews. These worldviews constitute modes of subjectivity that challenge the notion of the Cartesian subject, and put forward a “situated” concept of subjectivity. Through an intertextual analysis of Deleuze and Guattari, and Heidegger’s late essay “Building Dwelling Thinking,” Moro pursues a possible redefinition of mapping as assemblage or gathering point of the fourfold. This redefinition in turn indicates the becoming-space of a narration that constitutes particular kinds of world views and subjectivities. The lines between narration, mapping, and mythology are further blurred in recent art projects, where through the ‘cartographic imagination’ artists deliberately deconstruct the rational appearance of the map to expose current political impasse in a globalized world.

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