Abstract
The aim of the article is to map Slovenian popular music heritage (PMH) and to critically assess the prospects of its future development. The article supplements the constructionist perspective on heritage with the Foucauldian concept of regime(s) of truth, which enables a better understanding of the complex processes of the social construction of heritage and the power struggles related to it. It then uses this framework to critically examine the current situation of PMH in Slovenia with the emphasis on the tensions between different PMH practices, discourses and the producers of heritage.
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