Abstract
The Legong Dedari Sacred Dance at Kanda Pat Sari Temple is very unique and phenomenal. The choreography implements the concept of Kanda Pat Sari Temple which is based on the philosophical values of catur sanak (four human brothers), namely; in the East of Anggapati, South of Mrajapati, West of Banaspati, and North of Banaspatiraja. The catur sanak controller is called Bhuta Dengen, his place in the Middle is interpreted as a Rangda mask. This performance is interesting to study through hermeneutic theory, with a descriptive qualitative approach, which is expected to produce the concept of dance creation.
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