Abstract
Although high-definition television (HDTV) has led to more film and television content being presented in a widescreen aspect ratio, problems with formatting moving images in nontheatrical environments persist. Because of the different venues and delivery systems available for accessing televisual and cinematic content, the variety of high definition and standard definition television channels across cable and satellite providers, as well as the different aspect ratios filmmakers can choose to photograph their works, nontheatrical exhibition of the moving image continues to be a source of contention in the age of high definition. Drawing upon a number of comments from online home media forums, this study concludes that the variant quality of widescreen images for HDTV is not solely grounded on a subculture of home theatre enthusiasts, but rather how networks and studios negotiate new television technologies for the aesthetic preferences of both film and home theatre buffs and the general viewing audience.
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