Abstract

The article examines four terracotta figurines depicting the ancient Egyptian god Bes and his female counterpart Beset, acquired by Vladimir S. Golenischev in Egypt and kept in the storages of the Department of the Ancient Orient at the Pushkin State Museum of Fine Arts. The analyzed objects are diverse in their topics, form and functional purposes, testifying to the great popularity of this ‘minor’ deity in Graeco-Roman Egypt; all objects are included in the context of domestic worship of the god Bes. They served as a “link” between temple festivals and domestic worship, and could also be placed in a burial place as grave goods or could be brought to a temple as votive offerings. Bes and Beset guarded and helped a person during periods when he faced the forces of chaos – in a time of sleeping, illness, in childbirth, during the war. Bes and Beset were considered the protectors of childhood and motherhood, promoting conception and successful childbirth. Bes was associated with the different borderline states of human health and the period of a person’s transition to another world. The images of Bes do not come from temple theology, but from the context of domestic, private rituals; Bes remains entirely a “popular” god, the part of a daily life cycle of the population of Graeco-Roman Egypt. These multifaced quality is one of the secrets of the incredible popularity of Bes, whose figurines spread along with the Greeks and Romans throughout the oecumene down to the Black Sea region.

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