Manuela DraegerEleven Sooty Dreams by J. T. Mahany

Abstract

precious resources that lie in the ground could be the salvation of the Dené. But tying an entire culture’s future to the price of a barrel of oil is too risky for others. As one Dené elder tells Sacco, “The government pulled people out of the bush to put their children in schools, and they graduated from their independence [on] the land into a money-based economy with no jobs.” Sacco provides no answers in what is his finest, most layered work to date. But one thing stands evident, as a young activist points out: the “defined system[s] of colonization and governance are not there for us to succeed as land users, they’re there for capitalism to succeed.” J. R. Patterson Gladstone, Manitoba Manuela Draeger Eleven Sooty Dreams Trans. J. T. Mahany. New York. Open Letter. 2021. 140 pages. ELEVEN SOOTY DREAMS is the latest book out in English by one of Antoine Volodine’s postexotic heteronyms, Manuela Draeger (see WLT, Autumn 2020, 22). Draeger, whose name is on several books for adolescents and whose first book in English, In the Time of the Blue Ball, was published in 2011, now brings us a story about a group of young people trapped in a burning building during a protest and reliving their memories just before the flames and death consume them. Like Volodine’s other imaginary writers of the postexotic (by which Volodine means “beyond genre categories”), Draeger explores the power of dreams, the potential landscape of the afterlife, and a surreal world populated by characters who can transform, live forever, and alter their states of consciousness. Each of Draeger’s “sooty dreams” depicts a different person’s (or elephant’s!) memories or experiences moving through the Bardo (or afterlife). Granny Holgode, who seems to grow younger as time passes, acts as the unofficial leader of a group of ragged adults and children clinging to the Bolshevik beliefs of the defunct Second Soviet Union. Like Gramma Udgul in Volodine’s Radiant Terminus, Granny Holgode somehow defies time and lectures her listeners on the glory of the revolution with a kind of mesmerizing force. But while Gramma Udgul lives under the cloud of the Second Soviet Union’s recent collapse, Granny Holgode presides over the ruins of long ago. For Marta Ashkarot, death means turning into a talking elephant who undergoes reincarnation multiple times. Children like Imayo Özbeg and Rita Mirvrakis form a powerful bond of love and mutual support, even in the face of loss, death, destruction, and genocide. At one point, as they wander the streets looking for a long-lost relative, Rita cautions, “It’s better not to believe in the present.” In other “dreams,” a corpse speaks to his sister from the wire fence upon which he was impaled, and an insane soldier takes over teaching school each time the regular teacher is shot for not toeing the party line. Characters wander around the ruins of their city wearing boards around their necks that exhort strangers to kill or dissect them because they’re sub/inhuman. After death, the voices Draeger has summoned up are transformed into what Granny Holgode calls “strange cormorants” (as she’d told the children, “perishing in fire during combat opens the door to an immediate metamorphosis” into one of these creatures). From the “sooty heap” created out of the bodies consumed by fire emerges one voice—Imago Özbeg’s—to point the way forward to the next incarnation. Translator J. T. Mahany channels the soot, despair, revolutionary zeal, and incorruptible love in his powerful translation, allowing anglophone readers to delve deeper into the unique postexotic world of Volodine and Friends. Rachel S. Cordasco Madison, Wisconsin Giuseppe Ungaretti Allegria Trans. Geoffrey Brock. New York. Archipelago Books. 2020. 204 pages. THE ITALIAN WORD allegria does not have a true equivalent in English, which makes Allegria a sensible choice for the title of this translation. Moreover, Allegria subtly fuses Allegria di naufragi (1919) and L’Allegria (1931), which are the titles of two early manifestations of the book that originated in Il porto sepolto in 1916 Books in Review 86 WLT WINTER 2021 ...