Abstract
Manuel Tamayo y Baus1 is, today, generally regarded as one of the most important and successful Spanish dramatists of the nineteenth century, his fame resting on such masterpieces as La locura de amor (1855), Lo positivo (1862) and Un drama nuevo (1867). Although a rather large body of comment and criticism has grown up in connection with these later works, there is a dearth of study and investigation of his earliest dramatic output. Inasmuch as the formative years of a dramatist are of considerable im-
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
