Abstract
This article analyzes the creation and consolidation of the Foro Internacional de Musica Nueva Manuel Enriquez from the field theory of Pierre Bourdieu. This event which takes place annually in Mexico and whose purpose is to present current concert music has been a musical reference scenario from 1979 to date. Therefore, throughout this paper the advent and development of this space is studied trying to understand the context in which it took place, its foundation and how it came to be consolidated in the Mexican music scene, while discerning the importance that had Manuel had Enriquez as the architect of the Forum. For this, a historical line is generated through which it is possible to understand an important part of its operation, that is, to observe how it is constituted, what its dynamics are and what kind of habitus it has generated.
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