Abstract

This article examines the military discourse that Katherine Mansfield appropriated in her letters, focusing on three particular letter clusters from 1915, 1918, and 1919. I argue that the First World War and its accompanying rhetoric provided an important stimulus for Mansfield's writing and later functioned as a counter-trope for her own personally more serious battle with illness. Both Mansfield's deliberate and unintentional incorporation of military discourse in her correspondence resulted in a hybridized figurative language – an example of what Allyson Booth has called elsewhere ‘civilian modernism’ – which was significant for Mansfield's later literary development, and more broadly for our understanding of literary modernism.

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