Abstract
Abstract John Studley’s Agamemnon (1566) explores women’s rule and how it can combine feminine and masculine elements to achieve and maintain political power. To do so, Studley employs the character of Clytemnestra, who simultaneously retains elements of her previous dramatic versions and is shaped to resonate with early modern English audiences. This process is twofold, taking into consideration linguistic and character traits. Clytemnestra’s language is expanded from the Latin through masculine-coded tropes characteristic of vernacular lyric. Moreover, she possesses traits traditionally considered masculine (martial courage, determination, bold speech and skill in weaponry). In Studley’s Clytemnestra, then, endurance and action combined create a gender hybridity in speech and behaviour. In turn, her portrayal resonates with discourses surrounding early modern women rulers, from Elizabeth Tudor to Mary Stuart. Ultimately, Agamemnon reshapes the treacherous queen of Mycenae to function as a commentary on how a woman in power could appear, speak and behave.
Published Version
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