Abstract
We have been investigating practices of walking as a dancing action since 2017, and experiencing its political and pedagogical potential. In this sense, walking, besides being a strategy for artistic creation, is also a construction of embodied knowledge and incorporated citizenship. In Brazil in 2020, with a presidency that threatens art, culture, education and democracy, occupying the streets and walking through them have never been so necessary. Thus, we present in this article, based on the practices of walking as a dancing action we have been investigating, a Manifesto-ação that proposes local actions for discovering ways to keep going on the street in Brazil today.
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