Abstract

This paper draws on Bakhtin's use of polyphony and explores its potential for organizing processes within management education. In developing the concept of a polyphonic 'classroom', the interplay between tutor, manager-student and theory is related to Bakhtin's identification of the relationship between hero, other characters and idea within Dostoevsky's novels. In particular, a carnivalesque polyphonic relationship is argued to change tutor—student relations, extend the physical classroom into a wider polyphonic 'classroom' that includes the manager-student's work context and re-imagines learning as a changing, social poetic performance beyond common understanding of learning as cognitive processes of understanding or sense making.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.