Abstract
Rabindranath Tagore’s Drama in the Perspective of Indian Theatre successfully draws on Bangla and English sources to bring critical attention to focus on Tagore’s theatrical legacy. While it suffers from a reductive view of India and a single-minded focus on canonicity, it explores novel theoretical approaches to the performance politics of Tagore’s drama.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
