Abstract

It is investigated how a poet who was born in Minsk, was brought up in the cities of Nizhny Novgorod and Yaroslavl in the close family environment of the great Russian writer Maxim Gorky, felt that he was a Belarusian poet (collection of poetry “Wreath”, Vilnia, 1913), called Belarus “Matzi-Kraina”. Thanks to his poetic gift, through originality, self-awareness, self-determination and self-affirmation in poetry, the history of literature declared himself as a genius of Belarusian poetry. Maksim Bogdanovich argued that Belarusian literature “is not a monster, not a rarity, not a unique one”, but the outstanding work of the Belarusian people developed in genre and stylistic terms, it can rightfully be put on a par with other literatures of the peoples of the world. The poet also showed himself as a critic, translator, introduced a variety of genres and styles into Belarusian poetry. The name of Maxim Bogdanovich is on a par with the names of Yanka Kupala and Yakub Kolas. These are three stars of the first magnitude in the history of the Belarusian red writing.

Highlights

  • how a poet who was born in Minsk

  • the history of literature declared himself as a genius of Belarusian poetry

  • Maksim Bogdanovich argued that Belarusian literature

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Summary

Introduction

It is investigated how a poet who was born in Minsk, was brought up in the cities of Nizhny Novgorod and Yaroslavl in the close family environment of the great Russian writer Maxim Gorky, felt that he was a Belarusian poet (collection of poetry “Wreath”, Vilnia, 1913), called Belarus “Matzi-Kraina”. Такой яна была ў Максіма Багдановіча, які сэрцам і душой яшчэ ў зусім раннім узросце адчуў і зразумеў, што ён – паэт беларускага народа, што лёсавызначальнай і пуцяводнай зоркай для яго з’яўляецца толькі родная і дарагая, бясконца любая Беларусь, дзеля якой ён жыў, ахвяраваў сабой, якой аддаў свой шчыры і глыбокі талент.

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