Abstract
ABSTRACTKurdish media producers who interweave social and political agendas with their filmmaking are often marginalized within Turkish media worlds. Impeded by national censorship, these filmmakers move between national and transnational media worlds to advance their cinematic work. Such movement helps them create and maintain transnational publics that reinforce circulation of their media texts. Here I analyze how a documentary film about a seminomadic Kurdish community moves through international screening venues. As it journeys through film festivals in Europe, its director, Kazim Öz, accompanies it and, through deliberate discourse, attempts to increase and accelerate the film's transnational circulation. I explore the ways that Öz discursively globalizes his film, relates it to festival audiences, flags the politics of Kurdish media production, and seeks to construct a European public sensitive to the plight of Turkey's Kurds.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.