Abstract

Abstract: This paper expands historical and theoretical engagements with Leslie Feinberg’s life by analyzing the nonbinary and disability politics of hir screened-in photography series. Through a consent-based method called “making” photographs, Feinberg challenged the conventions of photographic representation of disabled and transgender people. The screened-in series provides a nonbinary political/relational model of gender, sexuality, race, and disability.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call