Making Mischief: Peter Kosminsky, Stephen Frears and British Television Docudrama

Abstract

This article compares and contrasts the ways in which two British television drama directors, Stephen Frears and Peter Kosminsky, critique political power in films screened as part of the BFI's 2009 ‘Radical Television Drama’ season. Frears’ The Deal (2003) and Kosminsky's The Government Inspector (2005) are films concerned with New Labour and its politics, and both take a provocative line towards its culture and policies. The Deal examines the party's rise to power in the 1990s, focusing on the relationship and rivalry for the party leadership between Tony Blair and Gordon Brown. The Government Inspector dramatises New Labour's behaviour during the critical historical period following the September 11 attack on New York, focusing in particular on the controversial case of the arms inspector, the late Dr David Kelly. The article analyses the films as docudrama, arguing that the form has raised its cultural profile over the past 20 years. Contemporary reviewing of the two films is used to throw light on wider debates about docudrama, including the notion of ‘blurred boundaries’ between drama and documentary. The analysis of key scenes from the two films contends that there are more similarities than differences in the approaches taken by the two directors. Docudramas like these, the article concludes, have an active role to play in oppositional politics.