Abstract
ABSTRACT When Edith Eaton (Sui Sin Far) published her only book Mrs. Spring Fragrance in 1912, it received about twenty reviews in the American and Canadian press. Many of the reviews suggested that the nature of the book was light and fresh, albeit the larger part of her works dealt with unsuccessful cases of Americanisation and their grave consequences. In this article, I will focus on the use of humour in what are perceived as Eaton’s light pieces. I argue that by making grave matters light, Eaton was able to secure publication while safeguarding her messages. More importantly, Eaton developed a special sense of humour, which I term a benevolent amusement, in her works. Her structurally coded messages, wrapped in multilayered humour, are like time capsules to be opened now.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
