Abstract

Dress was charged with meaning in the British colonies. Its visual cues made dress an obvious vehicle for formulating identity in material ways, and as a communicative device it was a means to measure migrants of unknown social origin — though not always with success. This article explores children's clothing in south-eastern Australia during the decades spanning the mid-nineteenth century, when the Port Phillip District transformed from a pastoral settlement into the thriving gold-rush colony of Victoria, attracting migrants from around the globe. In particular, it focuses on the material practices of mothers in clothing their children. In considering the links between a mother's domestic needlework and expressions of identity, it develops the concept of clothing as a visible indicator to observers of a mother's care of and devotion to her children, while acknowledging the circumstances that may have influenced her sewing — shortages of labour and materials, isolation and the financial uncertainty of life in a new colony.

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