Abstract
This paper presents a 10-year trajectory of research in the United Kingdom exploring the asylum-migration nexus and processes of belonging using participatory and arts-based methodologies. The relational dynamics involved in exploring the space between ethnography and arts-based practice (ethno-mimesis) are viewed through the work of critical theorists Theodor Adorno and Walter Benjamin. These psychoanalytic critical theorists provide a framework for thinking through the relationship between art and society, participatory research and the politics of representation.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
