Abstract
This article looks at the current documentary obsession with true crime stories, arguing that ultimately this heterogeneous series of individual texts loosely constitute a genre. Bookended by The Staircase from 2004 (the genre's touchstone or foundational text) and Making a Murderer from 2015 (the genre's most notorious example to date), this discussion will look at a diverse range of examples (series, podcasts, one-off documentaries) that nevertheless share common concerns around the law and how it can be represented, the truth, evidence and miscarriages of justice. Examples discussed also include: The Kick (2005), The 10th District Court (2006), Serial (2014) and The Jinx (2015). Even the title sequences are beginning to resemble each other – and those of related drama series – posing more questions about generic and media identity. True crime documentaries are hugely popular; they also serve justice, in that several of these television series, podcasts and web broadcasts have had a direct impact on actual cases.
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