Abstract
An analysis of gay male reviewers' responses to major commercial publishers' expanded offerings of fiction by and about gay people during the 1970s reveals how reviewers constructed a machinery of gay-identified criticism, negotiated new definitions of gay identity, and forged a community of gay intellectuals and authors intent on using their own mainstream success to make evident to all the creativity and value of contemporary gay life. By decade's end, this gay literary elite had developed ideas about gay cultural politics and the proper relationship between activism and commercial cultural production that differed distinctly from those of gay political organizations and other gay activists. These developments sketch a richer and more complicated story of the evolution of gay identity and gay politics—particularly the politics of visibility—after Stonewall.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
