Abstract
This paper explores and compares the threads of private mythology within the performances created for the stage of the Avignon papal palace by two original theatre creatives, József Nagy and Romeo Castellucci. Both of them primarily define themselves as visual artists, and they prioritise the visual within theatre. The image overrides the expression of the text, their performances do not represent, but create an independent world.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
