Abstract
Why do people find conspiracy theories attractive, convincing, or useful? In this article, I analyze conspirituality—that is, the relationships between New Age spirituality and conspiracy theories—in Italy during the COVID-19 lockdown. After distinguishing between conspiracy-believing and belief in conspiracies, I claim that conspiracy-believing could be understood as an aesthetic (sensory and artistic) practice. In doing so, I offer a novel interpretation on conspiracism that complements current scholarship while departing from the latter’s focus on the cognitive and emotional weaknesses of those who adopt conspiracy theories. By engaging with the thought of Jacques Rancière, in conversation with studies on contemporary Paganism and Western esotericism, I consider the adoption of conspiracy theories as an expression of dissensus by a community of sense that does not look only for visibility but, rather, wants to be fully acknowledged, recognized, and legitimized in their “participatory”—or “magical”—way of inhabiting the world.
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