Made in Basel? A commentary on the contemporary art world in Asia

Abstract

PurposeThe purpose of this paper is to assess the recent emergence of contemporary art in Asia from a macro, sociocultural perspective.Design/methodology/approachThis commentary is based on secondary research and recent visits to contemporary art centres in major cities across Asia.FindingsThe author argues that contemporary art in Asia emerges by extension of the Western contemporary art world and suggests that more must be done if Asia is to create a contemporary art world that is both internationally recognised and distinct from its Western precedent.Originality/valueThis commentary debunks the hyperbole surrounding contemporary art in Asia as a regional phenomenon and provides a critical examination of the global (power) dynamics at play.