“Mad Agnes” Ebbsmith: Revolutionary Roles and Reconfigured Relationships in A. W. Pinero's the Notorious Mrs. Ebbsmith

Abstract

In The Notorious Mrs. Ebbsmith, Arthur Pinero's use of the “fallen woman” plot is an unusual one, with implications for the 1890s “New Women's” agenda that have continuing relevance today. Linking gender issues to national, religious, and class issues, Pinero examines the limitations of advocacy rhetoric and personal exemplification in promoting social change, and he uses the often puzzling action of the play to explore the possibility of viable alternatives.