“Ma semblable, ma soeur”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk

Abstract

ABSTRACT Reading fiction by Angela Carter and Olga Tokarczuk side by side is a fascinating but eerie experience: the celebrated British fabulist and the Nobel-winning Polish writer-cum-public intellectual share some indefinable quality – their oeuvres resonate. My aim in this paper is to add to the critical debate on self-fashioning in Carter and Tokarczuk by comparing how they script their lives as reflected in their fiction. The following discussion of Carter’s short story “The Quilt Maker” and Tokarczuk’s Flights points to how they portray the ambiguities involved in being a female writer. Both writers emphasize the extreme subjectivity of their projects, both script their lives as reflected in their fiction, both create their literary personas with allusions to their real biographies, and both make these personas create constellations and patchworks of narrative fragments employing negative capability to suggest – rather than – tell stories.