Abstract
Abstract How Mama met Dada. A double image, a double identity; an enigmatic face as a two-source interference pattern in a ripple tank. A furry moire and a radiant gaze (Man rays? Fay rays?);a coy wave, a fetching hat,constructed and destroyed, disguised and revealed, depending on your perspective. ‘Lovingly Rrose Selavy alias Marcel Duchamp,’ 1921, by Man Ray.
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