Abstract
This chapter builds on the forms of doubleness uncovered to show how the poetic texts are representative of a continuity between thematic and formal planes. Lyricism is shown to be irreconcilably other, in its conjunctions with the prosaic, in its relation to past models, and in the fictions and figurations of the poetic subject. In this poetics of openness, the encounters with the other are born of productive interaction with the crowd and the lyric subject becomes dédoublé. This phenomenon is also discernible in the narrative strategies which the prose poems explore and is shown to betray an ironic separation.
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