Abstract
To say that Jean-Francois Lyotard is a thinker to be reckoned with would be tantamount to stating the obvious. We are usually—and this is probably a modern habit—tempted to look for secrets lurking behind this kind of intellectual and creative biography. Put more finely, it is no longer possible--and rightly so--to conceive of a theoretical event and an intellectual output as Œuvre, and, what is more, that of a “great man”, because the two presuppose a miniaturized version of the teleological...
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