Abstract
This paper presents some applications of time-frequency representations to the study of guitar sounds. These techniques allow to estimate acoustically relevant parameters such as frequency and time behaviours of the components. From real guitar sounds recorded in an anechoic room, we have made a link between the structure modifications of the instrument and sound parameters such as Helmholtz, top-plate and the first harmonic components of the sound. In addition, these techniques allow to re-synthesize independantly each component, giving a new audio-tool to the instrument designer
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
