Abstract
In this article I explore in a comparative way the musical, cultural, and political practices of “Andean musical” groups of Buenos Aires (Argentina) and Puno (Peru), with the aim to analyze how the performance allows the agents to generate feelings/emotions and beliefs linked to an Andean community imaginary. This imaginary produces tensions that are solved and lead into different ways: the religious in Puno and the politics in Buenos Aires. Instead of symbolizing or reflecting the “Andean world” in a complete way, these practices constitute reflexives and conscious performances that lead to the invention of new courses and identities for the musicians of these countries.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
