<i>The Last Day</i> of creation. M. Naimy’s mystical manifesto

Abstract

The article is devoted to the mystical manifesto The Last Day (1963) of the Lebanese novelist, playwright and journalist Mikhail Naimy (1889–1988). The author suggests that Naimy, under the spell of classical Russian literature, attempted an audacious experiment: by successfully combining the totality of concepts of Dostoevsky’s The Dream of a Ridiculous Man [ Son smeshnogo cheloveka] with the traditional mythologemes of Sufi poetry, this graduate of the Poltava theological seminary overcomes mystical imagery, and in doing so postulates human impotence in the face of the Nietzschean ‘eternal recurrence’ and the ineffable nature of true the ophanies. The article demonstrates the innovative character of The Last Day, a novel that stands apart from the works of other Pen League members: while Gibran’s The Prophet seeks to infantilise a religious myth, Naimy’s objective is to bring mythology back into the 20th-c. Middle Eastern literary discourse and reimagine it using the categories of contemporary existential philosophy. The study opens with a short biography, covering Naimy’s Russian and American periods.